Cirius ScionApr 16, 2023BECOMING AN ARTIST SERIES (Blog 99) :Achieving Clear and Vibrant Colours in Oil Painting One of the biggest challenges is achieving bright, vivid colours that don’t end up looking muddy or washed out. The key is using a proper m
-Feb 5, 2022Physics/Science of Light (PART 4)Physics/Science of Light (How you could implement it + create dramatic compelling art scenes) Light: Exposure Exposure affects value....
-Jan 18, 2022Secrets of the Old Masters: Glazing and Scumbling (Part 3)Using Grisaille in Conjuction with Glazing The glazing technique goes very well in combination with grisaille. When working in grisaille...
-Jan 15, 2022Secrets of the Old Masters: Glazing and Scumbling (Part 2)In Europe the method of glazing was perfected in the 14th through the 19th century. The majority of the artwork done by the masters...
-Jan 15, 2022Physics/Science of Light (PART 3)Light and Surface Colour (How you could implement it + create dramatic compelling art scenes) When light and surface colour interact our...
-Jun 11, 2016Why should art speak to us at an emotional level?Why should art speak to us at an emotional level? I have to admit finding inspiration can be difficult and tedious, ideas can come and go...
-Mar 24, 2016Physics/Science of Light (PART 2)(How you could implement it + create dramatic compelling art scenes) Understanding how to create compelling art scenes with different...
-Feb 7, 2016The tortured hands of Michelangelo struggled with chronic osteoarthritisThe cost of hammering, chiseling and painting pieces of priceless art was a high price to pay for Michelangelo, never giving up until his...
Cirius ScionJan 17, 2016Secrets of the Old Masters: Imprimatura,Underpainting,Dead Colour Layer,GrissailleIn the days of the Old Masters it was mandatory artists follow very strict and defined guidelines for the preparation of the painting proces